- 电影
小美人鱼3:爱丽儿的起源|小美人鱼3:爱丽儿的起源
高清
本片是迪士尼经典动画电影《小美人鱼》的第三部系列作品。故事回到爱丽儿还在大海中生活的情景,所以爱丽儿依然是人鱼姿态于故事中出现。本片中也会首度揭露爱丽儿的母亲雅典娜皇后。自从雅典娜皇后在一次意外中丧生后,川顿国王就下令:亚特兰提卡王国不准有音乐的存在!但是年轻又热爱音乐的爱丽儿却对此令相当的反感,也决定不顾父亲的感受,就是要与音乐为伍!此举将会为她带来灾难?还是她可以因此找回父亲昔日对她们的关爱呢?
- 电影
世界尽头的奇遇|在世界尽头相遇
高清
这部纪录片的编剧、导演和旁白均由沃纳·赫尔佐格(Werner Herzog)来担当,记录了他与剧组前往南极洲拍摄当地生物、居民以及独特地理风貌的历程。这部纪录片并不是一部关于南极著名的企鹅的影片,而是去探索南极的人类生活,以及壮丽神奇的南极洲美景。他们前往由美国国家科学 基金会南极计划部门运作的南极洲最大的科学研究中心——位于罗斯岛的麦克默多站进行拍摄,在当地采访了一些在作业、后勤、IT和维护等方面提供支援的成员后,他们陆续前往海豹基地、潜水营地等南极洲人类扎营的地点,沿途遇到很多有意思的人,做了很多包括细胞生物学家塞缪尔·宝泽(Samuel Bowser)、动物学家占·保罗斯基(Jan Pawlowski)、企鹅研究学者大卫·安利(David Ainley)等在内的简短访谈。在某种程度上,他们拍摄探索的并不在于展现科研领域,而在向大众揭示一种独特的生命体验。 本片提名2009年第81届奥斯卡最佳纪录片奖。
- 电影
沉默37人
HD中字
2016剧情片
At feature length, Puk Grasten’s 37 reconstructs events that took place on March 12 and 13, 1964, in the Kew Gardens neighborhood near Austin Street and the station for the Long Island Railroad. But while the murder of Kitty Genovese might be the most unusual of those events, 37 focuses on the stories and people that surround and bear witness to that horrific act. We see what they see, throughout the day and night. From those many perspectives, the deeper meanings of the Kitty Genovese story – and as it speaks to us today – emerge with new urgency. Just as recent acclaimed films such as Lincoln and Selma have asked us to consider turning points in American history through the prism of contemporary social issues, 37 reimagines the Genovese story through that Same historicized lens, as well as the eyes of witnesses to history. Grasten explains: “With the short film, I was able to explore mood, characters and take on that challenge: how much can you tell the story of Kitty Genovese without her being the main character? And the answer was to further explore the bystanders, to put yourself in that situation.” Returning to her native country, Denmark, Grasten found development support from New Danish Screen ,the indie department at the Danish Film Institute, which allowed her to fund pre-production and start bringing the project to life. As a feature, 37 is not intended to be documentary or precise reenactment. While some of the actions and general descriptions of the dozen principle figures in the film have some historical parallel, the characters have fictional names and circumstances, except for Kitty Genovese. This reimagination of the event, framed from so many different perspectives, meant giving each character, family, and even specific location a unique look. While certain scenes in 37 will remind viewers of fly-on-the-wall cinema verité, other sequences are more stylized. Grasten began that process of differentiating perspectives by developing a visual “mood book”. “We wanted it to feel like separate worlds for each family – we refer to it as a POV film, with specifically different perspectives from the adults, the children, and the buildings. I rewrote the script specifically with those POVs in mind, trying to capture that subjective experience. These different points of view, different filters, convey different emotions and reactions”. The visually inspired production concept helped fuel the creative process on-set during the film’s 18-day shooting schedule. “Everyone on the crew had their favorite family or character,” the filmmaker says. “They all found themselves identifying strongly with one perspective or another. It was interesting to see how they discussed or defended different characters ‘actions based on their own life and believes.” It also helped that Grasten worked with a talented team of actors who understand how to craft deep characters through focused ensemble work, and the ability to inhabit their characters naturally and organically. That can be a particularly vexing challenge when working with children, who populate the film and whose perspectives occupy a great deal of screen time. Already dealing with traumatic issues and finding it difficult to navigate with and understand the adult world, their witnessing of the attack and murder on their young, vivacious neighbor proves especially complex to evoke from young performers under the age of 12. Puk Grasten explains that the child characters are really the central thread of the film – “They are the ones being taught by circumstances. Combining their perspectives, they become one person when witnessing the murder – Troy hears everything, Billy sees everything, Debbie physically tries to get to Kitty. When they seek the truth, they are confronted with doors shut in their faces. “I’ve worked with kids in short films before, and have used a lot of improvisation and creative games,” Grasten says of nurturing her younger cast members. “I knew I wouldn’t be able to work with these young actors for a long time to deeply develop their characters, so I had to rely a lot on their ability to play along. During auditions, I was interested in the ones who weren’t just saying the words, but wanted to take time to listen and respond. That also meant spending time with the parents, adapting the script where I needed to, and really focusing on the kids before, during, and after each take. By the time we got to the end and the more difficult scenes, I think we all trusted each other enough to get the kids where they needed to be”. “I had some of the actors in mind when I was writing the script, because I knew their work, but actually getting a chance to work and create with them were a huge opportunity. They felt like real people who lived in that neighborhood, and the creation of their characters extended to costume, makeup, props we all found together. It was a very organic process, and with the liberty of the camera, we could get a lot done – shooting rehearsals, improvising, finding great, real moments that weren’t in the script.” The detail extended to the neighborhood where 37 was filmed. State law understandably prohibits filmmakers from recreating real-life crimes in the exact locations where they occurred, so Grasten’s crew made do with similar looking buildings and structures located in Forest Hills, just to the north of Kew Gardens. As the story of Kitty Genovese is reconsidered through the eyes of the characters of 37, Grasten is confident that the film will foster positive and productive discussion despite its still difficult subject matter. “This story is the beginning of what’s going on today, where we see everyone hiding and pointing fingers at others, and we say ‘it’s horrible but someone else will take care of it. We’re behind closed doors, in our own groups, liking things on Facebook. So I’m hoping we can use Kitty Genovese as a place to begin the conversation about how we are asked to stay in our place, instead of being asked to make things right. What is it about everyday life that we refuse to see when bad things happen? Why is it that if we can’t care about ‘everything,’ we can’t care about anything?”
- 电影
外星人入侵:狩猎必须成为猎
高清
2017科幻片
不管怎么说.你已经长大了。当你进来的时候,我们会看到你,一个杰出的女隐士从远处向外面的空间发送求救信号。当外星人的到来,他们意识到这不是一个求救信号,这是一个巧妙的陷阱设计的外星人绑架她的孩子复仇。
电视剧燃烧的爱火之爱火游戏
更新至16集
男女主开始是男女朋友,但是男主隐瞒了他妈是女主爸爸情人的事。女主发现后跟男主分手了,女主的爸爸离家跟情人走了,女主妈妈先自杀再发疯,女主的妹妹也离家出走。没有什么生意经验的女主只能接受她妈妈濒临破产的生意。几年后女主发现男主跟他的新恋人要订婚了,于是展开报复计划,包括直闯婚礼现场带走男主,因为男主还爱着她于是跟她走了。之后女主各种折磨摧毁男主的生活和他家庭,但素男主因为爱她也相信她爱自己所以不管她做什么都原谅她。女主妹妹是第二部的女主。
电影美版午夜凶铃2|鬼迷刹玛莉(港)/刹灵/午夜凶铃2(美版)/Ring 2/Samara/Samara: Ring 2
HD中字版
美丽的单身妈妈瑞切尔·凯勒(纳奥米·沃茨 Naomi Watts 饰)带着儿子艾丹(大卫·多夫曼 David Dorfman 饰)离开留下了永生难以磨灭的恐怖回忆的故地西雅图,搬到了毗邻大海的俄勒冈州艾斯特里亚居住。瑞切尔在当地一家报社谋得一份工作,生活充实忙碌。某天,报社接到一条消息,两名青年在看了一卷神秘录像带后一人死亡,一人精神恍惚,熟悉的场景以及没有标题的录像带,令瑞切尔敏感地察觉到昔日的噩梦即将重现。她烧毁录像带,试图阻止凶铃的诅咒继续蔓延,危害世人,却没想到灾难降临到艾丹的头上。该了结的终要了结,无法逃避的如何也躲不过去……
本片根据日本作家铃木光司的同名恐怖原著改编,为日本版的翻拍版本。影片荣获2006年ASCAP电影与电视音乐奖、2006年BMI电影与电视奖最佳配乐奖。电影幽灵人种/活跳尸
高清
1985年老片。瑞典密斯科汤尼克医学院,年轻的学生肯恩(Bruce Abbott 饰)和院长的女儿梅根(Barbara Crampton 饰)暗中相恋,两人相约在肯恩毕业后正式结婚。 不久,天才医师赫伯特·韦斯特(Jeffrey Combs 饰)自澳大利亚归来。在澳期间,他曾与另一位科学家研究一种令死者复活的药物,但该药物的副作用是复活后的人皆丧失心智,失性狂乱,他的研究伙伴即在一场事故中丧生。韦斯特找到肯恩的公寓,希望与之合租。他始终不忘复活药物的研究,并争取到肯恩的帮助。然医学院院长却因韦斯特在澳洲的事故而禁止相关研究,最终酿成一起惨案。 另一方面,与韦斯特针锋相对希尔教授(David Gale 饰)也觊觎着这项惊世研究……
电视剧我家的天使
更新至39集
在这个剧中,Aum扮演一个照看她生病祖母的保姆角色。她将照顾的人是谁呢?是Chai,他具有破坏性,令人讨厌,他是Thathep的继承人。有一次,这个令人讨厌但是富有的年轻人和一个老师学习提升他心灵水平的严厉课程,一个尖锐的爱的故事开始了…… Jeaw(AUM Patcharapa Cha...ichue饰)是Seua Pa Resort野生公园的管理员,她被很急地叫到Krung Thep(曼谷),因为Yai Jaem(Mee PitSamai Wilaisark饰),她唯一的亲人,最心爱的祖母生病了。Jeaw开始在医院里照顾她的生病的祖母,她的祖母给了她一个重要的工作,就是再去照顾Khun Nou Chai(Pei Arak Amornsupasiri饰),一个令人讨厌的,却是Thathep家唯一儿子的人。Jeaw感到很迷惑,因为这个理由她祖母把她叫到这里,但是 Yai Jaem给了她最后通牒,如果Jeaw不这样做,她就去死。 二十年前Jeaw父母离世,Yai Jaem不得不去Thathep家做事挣钱提供Jeaw上学,而Jeaw也被送到她爸爸生前最好的朋友的家里,叔叔Loong Sing(Aey Pairot Sangwaritboot饰)和婶婶Pa Pim(Pook Panya Sitsaisutgoon饰)很爱她,把她看做自己的女儿。Yai Jaem 常常见不到自己的孙女,但祖孙俩通过写信和电话联系,所以Jeaw要通过好好照顾Khun Nou Chai的方式表达对祖母的谢意。
电视剧爱的烹调法
32集全
“Soot Sanae Ha”主要讲述Alin(Anne Tongprasom饰演),一个30岁的高傲女演员,她总认为自己是世界上最顶级的女演员,即使由于新生代演员的加入使之职业生涯不断下滑。 表面上看Alin 是一个典型的淑女,而且扮演着循规蹈矩的女主角。但事实上,她是个被宠坏的女子:...倔强、 自负、不会做菜!但是当Chai Anucha 和Alin联系,邀请她到自己新策划的节目做首席嘉宾,她马上接下工作并谎称自己是烹饪高手。 Alin雇用了一个叫Din或者Pasu(Ken Theradeth饰演)的普通厨师, 并和他签订了一份高度机密的合同——用极少的钱聘用他做自己的烹饪老师。 她有一个计划,因为她感觉到自己快要迈入人生的另一个阶段,演艺事业在走下坡路;生理时钟也已拉响警报…… 没错!她想结婚,不是随便找个人嫁掉,而是要和世界上最完美的男人结婚! 她在脑子里谋划着这件事, 那个人必须英俊潇洒、富有慷慨、出生名门,住私人宅邸,还要很出名;那个人能让她引以为豪,能让她的春风满面,而且她的婚礼会是多年后大家依然津津乐道的话题! Alin 相信那个完美的男人就是Chai Anucha ,她要付诸行动去抓住这个男人。
电视剧鬼楼契约第一季|魔约之宅/666号鬼宅
全13集
如果让你许一个愿望,你会选择什么?为了实现这个愿望,你又愿意做些什么?在纽约最豪华的派克大街上,有一栋坐落于666号的大楼。在这里,你的一切愿望都能梦想成真--财富、性爱、爱情、权力,甚至复仇。不过,你必须谨慎选择你的愿望,因为实现愿望的代价……可能是你的灵魂。
电视剧迷思的爱
13集全
毕业之后,Farida在Veerakij公司找到了一份工作,也是Aekatat与Siwapan所经营的公司,Siwapan因为前女友对女人从没好脸色,并且认为金钱能买到一切任何事物。之后Farida爱上了Aekatat的儿子Panutat,并且打算和他结婚,但Farida并不知道Panutat和S...iwapan的妹妹Siwap0rn也有亲密关系,当Farida知道真相后,她想取消婚礼,但Panutat不想,所以Panutat打算和Siwap0rn分手。Siwapan非常生气,所以Siwapan设法制造事端来诽谤Farida,好让哥哥Siwapan恨她。最终让Siwapan计划让Farida爱上自己并和自己结婚来进行报复。
电视剧爱的迷迭香
133集全
有很人认为贫穷是不幸的,而Fah Sai,大富之家的继承人一夜之间倾家荡产,她希望用这次机会展现她的厨艺成为一名厨师,不幸的生活却为她的事业和爱情赢得了胜利。 在国际烹饪学校旁边的泰国餐饮店里,Fah Sai用餐发现厨师忘记放fingerroot。她好心的提醒,厨师Suchin却生气一个小女孩教...他烹饪。然而,老板出现,炒掉了Suchin。Fah Sai为此自责。但是今天是她去烹饪学校报道的日子所以没有时间向Suchin道歉,Suchin对此很不满。 Fah Sai一直梦想成为泰国名厨。 因为父亲是做香料出口的生意,所以Fah Sai对香料很熟悉。但是她的奶奶Aroon并不看好她的梦想。Aroom过去是皇室厨师,因为她做的食物使人中毒,因此被解雇。从那天起,她在也不碰烹饪。Fah Sai很固执,秘密地报读烹饪学校。她的奶奶却来帮她办理退学,扼杀了她的梦想。同时,接到Fah Sai爸爸因公司倒闭自杀的消息。 父亲的去世让Fah Sai一贫如洗,眨眼间变成了可怜的姑娘。奶奶一病不起,Fah Sai带着奶奶住到一个小屋,还有两个小弟弟要照顾,成为了少年家长,尽管她才17岁。Fah Sai想去拿回学费治奶奶的病遭到拒绝。Fah Sai没有放弃希望,坚持生活。 Amnard,百万富翁准备退休,想把公司交给他的孙女Amara和Ourai,两个老处女。Chadachat在国外读书,和Tum很亲。Tum完成学业后打算打理家族生意,名叫“好滋味”的餐厅。Fah Sai想去餐厅列车实习结果碰上了Suchin。 Suchin专门整她,让她无法学习烹饪。Chadachat在国外呆不下去跑回泰国,什么学位都没有拿到。Amnard很生气,逼迫Chadachat去公司帮忙。他担心Chadachat会走自己母亲的老路。虽然 Chadachat同意上班,但态度狂妄自大,自视高人一等。 Tum想改善餐厅食物,需要很多香料。这让他想起了Athit叔叔(Fah Sai的父亲),是他爸爸的朋友,在他们家餐厅刚起步的时候帮过他们的恩人。结果Pornreudee告诉他Athit死了。Tum担心Athit的家人,因为他们小时候一起玩过。Tum找去Fah Sai住过的房子,现在已经属于Amara家。他并不知道把东西扔到他头上的人就是Fah Sai. 同期的学员都被分派到不同的部门,Fah Sai一人被辞退。她走之前,悄悄地用奶奶的皇室菜谱做了一份炒饭,送给经常帮助她的清洁工。后又被清洁工转交给了Tum,Tum记得这个味道和Aroon曾经做给他吃的一样。他很快找到了Fah Sai,并帮她搬家。奶奶担心Fah Sai,Fah Sai骗她说嫁给了一个富豪,但是Aroon不信要她带回家给她看.Fah Sai想着去求Tum帮忙演戏给奶奶看,希望奶奶能够了无牵挂的离去。 Fah Sai去找Tum正好碰到他家开Party,全都是上流社会的人,包括Chadachat.Fah Sai一个穷丫头竟然想叫Tum娶她,遭到众人的耻笑。Fah Sai急忙解释一切都是为了她奶奶,奶奶过世后就结束一切。Chadachat瞧不起Fah Sai。Fah Sai打算回家,Tum却告诉她愿意配合,因为他很可怜她们一家,这让Chadachat很生气,说Fah Sai是在诈骗。Tum执意留住Fah Sai,并警告所有人要是敢阻止他,就结束他们之间的友谊。 Aroon看到Tum很高兴,身体也变好很多,让Fah Sai和Tum不得不继续演下去。Chadachat不停得劝告Tum他被Fah Sai骗了,可Tum不在乎。他还答应送Fon Thip和Mek去读书,Fah Sai拒绝了她不想失去自尊,现在是她离开的时候了。 Tum却让她去做厨师助手,Pornreudee试图阻止,她不想Tum和Fah Sai继续下去..... 后来Fah Sai成为了厨师,Chadachat更加妒忌她,迫害她,Fah Sai被迫来开了“美滋味”,因为她和Tum演戏的事情被奶奶知道了,她们全家搬到了小市区开了一个摊子。结果碰到Chadachat遇到事故,Fah sai救了她。这一次让Chadachat的改变了看法,觉得Tum和Fah Sai真的很想配....
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